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In use, this means that you do tend to hop around between the dedicated buttons (Matr, Seq, Drive, and so on) and the softkeys, which can take a bit of acclimatisation. The major menu headings, like those that deal with the MIDI matrix, the sequencer, the wave player, and so on, all have their own individually named buttons, and you then use the softkeys to dig deeper into the menu hierarchy via the slightly arcane three‑letter acronyms on the display. There's also a MIDI 'panic' function, and a reasonably straightforward set of menus. The interface steals double‑clicking from computers, but, sadly, only has a 2‑row, 40‑character backlit LCD display instead of a monitor.
#AKAI MIDI PATCHBAY FOOT CONTROL SOFTWARE#
The software user interface is a mixture of dedicated buttons, the ubiquitous data wheel, and display‑related softkeys which double up as numerical keys for value entry. The remote very neatly combines the standard Transport controls used by the built‑in Sequencer with all of the other functions, and packages all of this into a robust box that would be equally at home on your master keyboard, or on your mixer (the front panel of the main rack unit is correspondingly light in controls!). You access the MP88W's host of functions with a very nice remote controller panel which looks as if it has come straight from a multitrack digital recorder. In fact, it might leave a few studio computers with more time on their hands, too. This unit is, in fact, so much more than just an 8x8 MIDI patchbay it can become the focus of all of the MIDI cabling and messaging in your studio, and on the road, it removes any need for a computer. The MP88W is described by its designers as a Multiplayer, presumably because it's quite hard to sum up everything it's capable of in an easy‑to‑digest title (as the above feature list shows).
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#AKAI MIDI PATCHBAY FOOT CONTROL INSTALL#
the option to install a GM soundcard (with WaveBlaster upgrade connector).optical interface to connect other units like this one (all still driven from just one remote controller).SCSI connections for attaching a CD‑ROM, additional hard disks or your host computer.a hardware remote controller for all functions.a WAV‑ or AIFF‑compatible RAM wave (ie.64‑track MIDI file playback and record capabilities.
![akai midi patchbay foot control akai midi patchbay foot control](https://pusatsoundsystem.com/wp-content/uploads/32-a-1812-mixer-power-amplifier-front-picture.jpg)
Now imagine a device which is not only an 8x8 MIDI patchbay with all the functions you need to make life in your studio easier, but also has the following:
![akai midi patchbay foot control akai midi patchbay foot control](https://images.reverb.com/image/upload/s--hq-CwYHI--/f_auto,t_large/v1621547709/xtiisvfcriwkeqkrqoqv.jpg)
So far, so humdrum a MIDI patchbay is undeniably useful, but scarcely the sort of gear that sets the pulse racing. Provided the patchbay is easy to install and set up, it should result in a faster, more productive working environment. Essentially a MIDI version of a patchbay, it ensures that reconfigurations of your MIDI setup can be effected in minutes rather than hours, without the need for MIDI switch boxes, tedious reorganisation and replugging. Martin Russ is delighted to make the aquaintance of the grand seigneur of all MIDI file players.Ī MIDI Matrix (or MIDI patchbay, as they are often known) is a very significant purchase it often marks the transition from an amateur home studio to a semi‑pro project studio, and typically means a marked change in the way that work is done. It's a MIDI patchbay! It's a MIDI data filer and player! It's a sample playback unit! It's.